When I was in high school, we made heads out of clay in art class. Now, I
was never that much of an artist. Up until that point, I had mostly
made assorted rickety bowls out of clay. I did attempt a strawberry, but
a lifelike head was, it seemed, far beyond my innate capabilities.
Being the hard-working, diligent person I was, however, I worked hard on my
clay head. And while I don't remember quite what I created, I very
distinctly remember the art teacher examining my work, complimenting me
on my sculpting talent, and proceeding to change almost completely the thing I had created. The sculpture that I still have today may resemble a real
person, but it is not any person I remember sculpting. It may have my
name etched on its base, but it is strictly the work of the art teacher.
It's interesting how this experience from too many years ago to mention
has stuck with me, even more than some of the experiences I've had
developing my own work. Perhaps when we develop our own work, it becomes
such a part of us, we rarely step back and remember the experience. It
is the compromises in our own work that we remember. The clay head, even
after the art teacher's adjustments, is far from a masterpiece. But it
is a story that still resonates with me now. On that day, I allowed the art
teacher to alter my choices, maybe because it didn't matter that much to
me, maybe because she was the teacher. Who was I to question her?
Whichever the reason, I made a choice all those years ago that left me
with an odd sculpture and a funny memory. And perhaps that is a good way
to think about our choices. Not every choice can matter deeply (we'd be
exhausted), so it is up to us to focus on and make the choices that do matter--that leave us with work
or art or a life we can feel good about--and let go some of the ones that don't. Not every choice will leave us
with a product we can be proud of--that's just how life is--but as long as we save our energy for the important choices, most of them should at least
leave us with a good story. Or a memento--even if it's just an odd-looking clay head on the shelf.
Things can go wrong with clay even when you are the only potter. I am reminded of making a dragon shaped planter in college (I had recently read The Hobbit) I was pains taking about the scales the tale; the planter part was in the back with the scales on either side. I was really happy with it and couldn't wait to see how it would look after firing. I never came out of the kiln, don't know if it blew up because of a bubble or someone else's bubble. I used to hope after all that work that someone liked it and stole it. But I never saw it again and no one seemed to be able to tell me what happened to it.
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