Back when I was a booth PA, and terrified that I would be fired if I
estimated the time of the show incorrectly, some wise, more experienced
coworker assured me that a PA wasn't really judged on all that timing
stuff. The real test was whether the PA was a person the other control
room people wanted to sit next to, especially on the very long days.
I have worked in a variety of places, and long ago, I started making a
mental list of the people I'd hire (if I were ever in a position of
hiring) or at least those I'd like to work with again. I carry that list
with me wherever I go--at this point, there are a lot of names on it.
The people on the list are certainly talented in their arenas, but more
important, they are people I'd be happy to sit next to on a set or in a
control room, even on the very long days.
I used to think that the genre in which I worked was the most important
consideration. After all, how could I devote time and energy to work
that didn't move me, work that didn't do something great for the world?
It's not that I don't want to do those kinds of projects. But on a day
to day basis, the inspiration I get from working with the kind of people
who make it onto that mental list of mine is right up there with the
inspiration I'd get from a particular project.
One of the very nice things about my most recent gig with the soaps
online has been the opportunity to work not only with some of the people
from my list, but also with people who have become new
additions to the list. (It's important, when making such a list, to
update it constantly--you never know when you'll meet your next great
collaborators). You might think that, having worked in soaps for as long
as I have, I wouldn't have new people to meet, but happily, I am
constantly exposed to new personalities and new ways of working.
Which, I'm happy to say, makes for an ever-growing, very full and exciting, list.
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